ONE POINT PERSPECTIVE
TWO POINTS PERSPECTIVES
MASH UP WITH THEORY
36 TEXTURES
SKETCHUP FILE & LUMION FILE
MOVING ELEMENTS
EXP3 - LUMION DRAFT (4 REAL IMAGES )
EXP3 - REAL TIME IMAGES OF LUMION
LAYOUT
EXP3 - PLAN&SECTION
PEER ASSESSMENT
2016年6月28日星期二
EXP 3 - MASH UP WITH THEORY
Theory : Transform, Separable, Disturbance
Known as Lajkó to his friends, Marcel Lajos Breuer (21 May 1902 – 1 July 1981) helped define the work of Elemental. Puigjaner is a cofounder of MAIO Studio, which has executed several design projects, including furniture, interior spaces, and urban planning. Beginning as a furniture designer at the height of Bauhaus, Puigjaner notes that this typology is "deeply understood as a tool for social transformations," and through her investigation, she hopes to apply new thinking to the housing dilemmas of today. Instead, the office has made a reputation on what is called “incremental housing,” building hundreds of two-story, two-bedroom homes with roofs, kitchens and bathrooms, each with an unfinished second half, left indeterminate in order to keep costs low. These ideas reached a height with his "bi-nuclear" archetype of separate night and day wings divided by an entrance hall, all underneath a centrally drained "butterfly" roof.
http://www.archdaily.com/633744/spotlight-marcel-breuer
http://www.archdaily.com/788049/alejandro-aravena-is-profiled-by-michael-kimmelman-for-t-magazine
http://www.archdaily.com/788073/harvard-gsd-announces-anna-puigjaner-as-the-winner-of-2016-wheelwright-prize
EXP3 - MOVING ELEMENTS
The ceiling of lecture theater would transform to different styles while the weather changing. The glass ceiling could bring the daylight into the lecture to make whole theater luminous during sunny days. However during the days with bad weather, the metal ceiling would cover the whole theater as a shield.
The door of gallery would be move when people come in and out. And also all the glass wall could be seen as separable doors since they can work independently and be convenience for students and teachers.
2016年6月24日星期五
2016年5月17日星期二
EXP 3 - ONE POINT PERSPECTIVE & MASH UP

Known
as Lajkó to his friends, Marcel
Lajos Breuer (21 May 1902 – 1 July 1981) helped
define the
work of Elemental. Puigjaner is a cofounder of MAIO Studio, which has executed several design projects, including
furniture, interior spaces, and urban planning. Beginning as a
furniture designer at the height of Bauhaus,
Puigjaner notes that this typology is "deeply
understood as a tool for social transformations," and through
her investigation, she hopes to apply new thinking to the housing dilemmas
of today.
Instead,
the office has made a reputation on what is called “incremental housing,”
building hundreds of two-story, two-bedroom homes with roofs, kitchens and
bathrooms, each with an unfinished second half, left indeterminate in
order to keep costs low. These ideas reached a height with
his "bi-nuclear" archetype of separate night and day wings
divided by an entrance hall, all underneath a centrally drained
"butterfly" roof.
http://www.archdaily.com/633744/spotlight-marcel-breuer
http://www.archdaily.com/788049/alejandro-aravena-is-profiled-by-michael-kimmelman-for-t-magazine
http://www.archdaily.com/788073/harvard-gsd-announces-anna-puigjaner-as-the-winner-of-2016-wheelwright-prize
2016年5月3日星期二
EXP 2 - 2 CONCEPTS
Concept 1 - Olson Kundig: Architecture seen as kinetic and
dynamic - embodies the machine
In order to simply show the unique idea for a modernism
building, Olson Kundig concentrates on the kinetics and dynamics of an
architecture. Kundig is able to use the simplest things like geometric shapes
to explain the complicated concepts.
Concept 2 - Carlo Scarpa: locally influenced through
production and materials – embodies a strong of context
Carlo Scarpa focuses on the production and materials of an
architecture to state how important the natural status is. Also, different
materials are used on the same production, Scarpa make them stay in the most natural
form though. Not only the various materials are working on the same
architecture together, but also show their characters individually. In order to
make a strong sense of context, Scarpa knows how to make the architecture and
materials well cooperated.
Electroliquid Aggregation: Interplay of production and materials shown kinetic and dynamic.
Kinetics and dynamics of an architecture can be influenced by the cooperation of materials and production. As architectures embody the machine, which is
according to the simple shapes of the building, cooperation of materials and production is playing
an important role in the aesthetic value of a building. This linked the two architects together.
2016年4月26日星期二
EXP 2 - 6 INTERCONNECTIONS & LUMION MODEL
Carlo Scarpa: Profound incorporation of traditional crafts +
Olson Kundig: Collaboration to create unique responses, e.g. in detail, planning, art, etc.
Carlo Scarpa: Locally influenced through production and materials - embodies a strong sense of context +
Olson Kundig: Architecture seen as kinetic and dynamic - embodies the machine.
Carlo Scarpa: Landscape synthesised with architecture +
Olson Kundig: Ascension the ground plane.





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